Tomorrow, I'm leaving for London and then Sardinia. 2 weeks of vacations to empty my brain, and do nothing. The concept of vacations takes an all new meaning for the salarywoman. Up until now, except for brief periods in my life where I had been previously contract-tied to the business world, I was mixing vacations and work somehow. I wasn't really aware of that specific rhythm where you look forward to a break, as I was defining when and how I would manage my own time. Now it's imposed upon me, but I don't resent it really, at least for now. It's a different experience of pace, leisure and energy.
I have to come up with a concept for an interactive art piece in the next few weeks. I'm the artist-in-residency for the Siana festival next year, taking place in Evry, France. Of course, in the last months, my work as a designer and project director took up all my brain activity. But soon, I'll have to add to the mix artlife. For me, it's a way to get back into research mode. But after this time away from it, I'm completely out of the blue. I hear here and there sounds of what's going on, through my friends who are still in the loop but I feel like I have a lot to catch up.
The theme that I'm starting to approach for this new piece is unsurprisingly: work. And it might actually be a good lead. The festival conference has chosen to center around the subject of my DEA thesis: the imaginary of technologies. I developed in my study the subject within the context of 19th century industrial revolution, when the new technologies of that time were related to early mechanization and the transformation of the world through mass production as we know it. So it might make sense as my current life is deeply influenced at the moment by the rhythm imposed by the structure of a working day that I reflect upon this in my next project. As I empty my brain during this summer break, inspiration might come to take me further into that path or into something completely different.
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